Edith 1, 2026
For thirty years, Belgian photographer Kris Dewitte has lived inside the world of cinema, alongside its directors, actors, and other creators. These are not red carpet portraits or promotional stills. They are quiet, unguarded and private moments, the particular electricity that exists just beyond the public gaze.
Dewitte’s lens captures the tension between the constructed world of film and the humanity of the people who make it. Shot across decades of close collaboration with some of cinema’s most iconic figures, this body of work asks a simple but persistent question: what does a person look like when no one is performing anymore?
The result is a deeply intimate archive — an excavation of the human being behind the craft.